pfeffermint AG realized the conversion and refurbishment of the Landgasthof Riehen with the utmost care. The aim was to create a place that combines tradition, modern comfort and an artistic ambience in a unique way. The formerly somewhat outdated building was brought up to date with a carefully crafted interior design. Timeless elegance meets beautiful details that preserve the character of the hotel while giving it a modern interpretation.

The architecture of Cia Marítima Store on Oscar Freire Street proposes a dialogue between the earth and sunlight. The building has two floors. The store is located at the level of the public sidewalk, where functional furniture blends with garden islands.

“A Space Where Precision and Trust Reside” An office for a company engaged in concrete investigation, surveying, and civil engineering design. The essence of work that demands precision and reliability is translated into space through three key concepts: Precision, Reliability, and Groundedness.

This residence is conceived as a quiet framework for everyday life, shaped through reduction rather than expression. The design focuses on order, proportion, and light, minimizing visual interference to maintain a calm and breathable interior within a compact urban context.

Ski Tower is one of four towers at the Magasinparken in Ski outside Oslo. The developer Solon Eiendom AS is behind the development of this new district in Ski, which is regulated by Code Arkitekter/Civitas and which totals over 400 apartments, located in close proximity to the new train hub at Ski station on the Follo line. A-lab is one of the offices that was invited to design one of four point buildings that surround the listed old Magasin buildings on the site that was formerly a military area and the new “Urban villas” homes. The point buildings are spread out to the southwest in beautiful outdoor areas designed by Dronninga Landskap. The other point buildings are designed by the architectural offices Reilulf Ramstad, R21, and Code.

Scandinavia is shaped by environmental conditions that test both human endurance and architectural ingenuity, with long winters defined by limited daylight, low sun angles, deep snowfall, and cold winds that transform everyday movement, gathering, and habitation into deliberate acts. In this context, architecture is never neutral, and hospitality is never incidental. Buildings that welcome visitors across cities, forests, and coastlines must respond directly to darkness and cold, not by denying them, but by creating interior worlds that offer orientation, warmth, and psychological relief. The act of welcoming in Scandinavia is therefore inseparable from the climate, grounded in the understanding that shelter, light, and human presence are fundamental resources in Arctic environments.

“Architecture of Possibility: Zaha Hadid Architects” at the Museum of Contemporary Art and Urban Planning (MOCAUP) in Shenzhen, China, presents a comprehensive overview of the evolution of Zaha Hadid Architects’ work over recent decades. On view until April 10, 2026, the exhibition is structured through chronological and thematic narratives that highlight the studio’s multidisciplinary research and design methodologies. The exhibition, now open to the public, showcases the office’s work in the Shenzhen area and its involvement with new Artificial Intelligence technologies. Particular emphasis is placed on the integration of artificial intelligence (AI), immersive and interactive design tools, and virtual environments, which together form an expanding digital design ecosystem.

Site, Covered Sports Complex (1977-1988) / Marked by its metal framework and lattice beams from the 1970s and 1980s, this sports complex, now unloved, suffers from a juxtaposition of aging equipment, a cold industrial aesthetic, and a lack of openings, making it unwelcoming.

In early 2025, photographer Paul Clemence documented Kö-Bogen II, a commercial and office complex designed by ingenhoven architects in Düsseldorf, Germany. The photo series focuses on the building’s signature feature: its vast green façade, considered one of the largest in Europe. Referred to as a “green heart” and an “urban mountain,” the building has become a landmark in the city due to its sloping surfaces wrapped in over 30,000 hornbeam plants. For Clemence, this was an unforeseen encounter during his first visit to Düsseldorf, which he describes as an unexpected meeting with a “stunning green pyramid.”

In our practice, the pavilion is not a closed typology, but rather an open way of being in the territory. An architecture that does not seek to impose itself, but to enable relationships. Between the inside and the outside, between the collective and the intimate, the pavilion is always a porous structure, available, in dialogue with its surroundings.