This house was designed for a young filmmaker who sought spacious areas without sacrificing privacy and with a controlled budget. Located on a charming and tiny street in the Pinheiros neighborhood, the building was conceived as an exercise in spatial utilization and cost reduction. Within a narrow lot, measuring 5m in width and 25m in depth, a comfortable and spacious house was developed.

The project is situated within a garment-focused industrial park in Guangzhou, where the primary activities encompass office operations and production. The original structure is a three-story, cube-shaped building with a frame system—consistent with most structures in the park, it abuts the main thoroughfare directly, enclosed on all sides, and presents an almost collisional interface with the street front, lacking any form of buffer zone. The design brief calls for the transformation of this cubic building into a garment design office capable of accommodating approximately 100 occupants. The high occupancy density, combined with the inherently strong functional attributes of the office typology, introduces a pronounced sense of spatial density to the site. Against the backdrop of prioritizing functional requirements, the design process is initiated.

The Brand & Its IdentityWhile we started designing a retail space for the brand, we perceived Gully Labs as a celebration of Indian street culture, glorified, unified, and expressed through sneakers and apparel that pay homage to Indian craftsmanship and the raw vibrancy of the streets. Every element, from design to detailing, reflects this authenticity, positioning the brand not just as a retail destination but as a cultural movement. Its brand language, rooted in local identity yet aspirational in spirit, has been seamlessly translated into the very fabric of its retail design.

Set close to a small harbour, Lakeshore Barn House is shaped by restraint and clarity, drawing from the familiar silhouette of rural barns to sit naturally within the small lakeside village. The simple cross- shaped layout establishes a central axis that opens uninterrupted views through the house in both directions, strengthening the connection between landscape and interior.

The design of this pantheon challenges the classic structures aiming to host the eternity. Unlike the traditional pantheons in the area, this project full of meaning and coherence balances unusual materials within the traditional enclave in the Requena cemetery.

Every architectural project is shaped by a unique story. At Estúdio HAA! we believe that spaces should reflect the personal rhythm and intentions of those who inhabit them and Refúgio Mirzé is a direct response to that principle.

UNI-CENTER project renovates Hanyang University’s existing Student Union, located along the main pedestrian axis connecting the subway station, the main building, and the welfare center, into a welfare-centered, multi-functional community hub for students. The design goes beyond simple functional enhancement—it restores the building’s sense of place and redefines it as a central node within the campus circulation network.

In the morning, children learn math in the primary school, and in the afternoon, piano lessons in the music school. And in the evening, members of the town band meet to make music together. The new education campus in Oberwart is a lively place for the entire town.

Designed during the pandemic, this project emerges as a critical reflection on contemporary commercial spaces and their ability to adapt to new models of living, working, and consuming. Rather than being an immediate response to the health emergency, the proposal stems from a deeper question: how should architecture respond to a reality demanding long-term flexibility, efficiency, and urban responsibility?

The Calming Abode is a 10,000 sq ft private residence in Surat, conceived as an inward-looking sanctuary shaped by sculpted volumes, material restraint, and spatial calm. The primary challenge was addressing the inherently generous scale of the house while ensuring the interiors remained grounded, composed, and deeply inhabitable rather than overtly grand.