The owners of this newly built home asked us to design a layout that combines living and working while being experienced as a cohesive whole. They specifically requested a design that offers flexibility to accommodate future family expansion and lifelong living. Therefore, we explored various layouts early in the design process. Certain rooms were given a flexible function, allowing them to change use depending on how they connect with adjacent spaces.

Museum Of Broken Relationships is a renovation and a transformation of a historical Chiang Mai building into a museum space. The building, originally a shop and a warehouse built in 1904, had already been altered various times.

The renovation project for this apartment aimed to enhance the spaciousness of the original 1970s floor plan, overcoming certain shortcomings through minor interventions. The scarcity of natural light and the need to expand the living areas prompted a rearrangement of the kitchen, laundry, and living room programs, as well as the connections between them. In this shift, the laundry room was relocated to the apartment’s private wing. 

Throughout eight months of design and on-site work, we realized that what truly matters is not the completeness of drawings, but the intuition shaped by being present. Around 70% of the layout was defined early on, while the remaining 30% was deliberately left without a set function—allowing light, behaviors, and moods to participate in forming the space.

This is the third location of the coffee brand BERTH COFFEE, planned and operated by Backpackers’ Japan, known for establishments like Nui and CITAN. The new café is located in Yokohama’s Minatomirai area, just a three-minute walk from Minatomirai Station, occupying approximately 75 square meters within a high-rise complex. Adjacent to it is a shared terrace within the building. We were fortunate to have the opportunity to design both the café and the shared terrace as a unified space.

Located in Vilamoura, Algarve, the plot benefits from geographical advantages: total sun exposure, proximity to the sea, and views over a scenic golf course. The plot, with approximately 870sqm, is part of a housing development characterized by side-by-side neighbouring plots. Therefore, the main premises of the project were established from the outset:

The Aqualudic Center “L’O” is located a ten-minute walk from Orléans train station, occupying the former site of the city’s jail, decommissioned in 2014. Once an urban rupture, cut off from its surroundings by a long perimeter wall, the site now hosts a public facility that establishes a renewed dialogue with its neighborhood.

Located in São Paulo, the Cartola Apartment was designed to be a cozy urban retreat for a couple residing in the state´s interior but working part of the week in the capital. The 65 m² property underwent extensive renovations, including demolition of masonry, new plumbing and electrical installations, new finishes, lighting, carpentry, and furniture. The project’s premise was to adapt the apartment’s configuration to a more flexible and contemporary lifestyle by integrating the living room and kitchen, increasing the number of bathrooms, and incorporating a remote work desk. Despite its compact size, the apartment’s modular and rational layout allowed these interventions to be accommodated efficiently, ensuring spaces with comfortable proportions and dimensions suitable for the new intended uses.

The “Artist N’s House” is a remodeling project of a single-family house originally built in 1969, where an artist couple had lived for over a decade. Rather than replacing the existing structure, the project began with the question of how to preserve the accumulated lifestyle of both the residents and the surrounding neighborhood, while introducing new spatial possibilities suited to contemporary life.

Sadec Garden is a small-scale accommodation project newly designed and located in the flower village of Sa Đéc, Đồng Tháp, Vietnam. The project is approached as a quiet place of temporary stay, where architecture does not seek visual prominence but operates as a background for landscape, light, and local daily life. Rather than pursuing expressive forms, the design adopts an attitude of restraint, focusing on spatial organization, experiential sequence, and a soft relationship between architecture and the riverine context of Sa Đéc.