Md Al Amin Sohan

Located in São Paulo, the Cartola Apartment was designed to be a cozy urban retreat for a couple residing in the state´s interior but working part of the week in the capital. The 65 m² property underwent extensive renovations, including demolition of masonry, new plumbing and electrical installations, new finishes, lighting, carpentry, and furniture. The project’s premise was to adapt the apartment’s configuration to a more flexible and contemporary lifestyle by integrating the living room and kitchen, increasing the number of bathrooms, and incorporating a remote work desk. Despite its compact size, the apartment’s modular and rational layout allowed these interventions to be accommodated efficiently, ensuring spaces with comfortable proportions and dimensions suitable for the new intended uses.

The “Artist N’s House” is a remodeling project of a single-family house originally built in 1969, where an artist couple had lived for over a decade. Rather than replacing the existing structure, the project began with the question of how to preserve the accumulated lifestyle of both the residents and the surrounding neighborhood, while introducing new spatial possibilities suited to contemporary life.

Sadec Garden is a small-scale accommodation project newly designed and located in the flower village of Sa Đéc, Đồng Tháp, Vietnam. The project is approached as a quiet place of temporary stay, where architecture does not seek visual prominence but operates as a background for landscape, light, and local daily life. Rather than pursuing expressive forms, the design adopts an attitude of restraint, focusing on spatial organization, experiential sequence, and a soft relationship between architecture and the riverine context of Sa Đéc.

Heritage sites constitute complex spatial archives in which architecture, history, and collective memory converge. They encompass a wide spectrum of contexts—from archaeological remains, ancient and historic townscapes, UNESCO-listed landscapes, to early modern civic structures and industrial infrastructures. Yet these environments confront challenges: climate change, urban transformation, disaster, shifting social needs, and the gradual erosion of material fabric. Revitalization and restoration projects respond to these conditions by positioning architectural and spatial practice as an active mediator between preservation and the contemporary topologies.

The transformation of the chapel of the Saint-Joseph convent in Saint-Félicien is founded on a guiding principle: designing with what already exists. The intervention seeks neither to erase nor to stage the heritage, but rather to offer a precise and measured reinterpretation of its architectural qualities in service of new cultural uses. The 342 m² chapel has been converted into a versatile cultural venue hosting cinema, theatre, and exhibitions. The project forms part of a broader strategy for the requalification of the convent and its gardens, led by the municipality in collaboration with local associations. From the earliest stages, the definition of the program was developed in close partnership with the client, through a process grounded in attentive dialogue, trust, and a strong commitment from the local authority.

Niko Restaurant is located in the city center of Yerevan, Armenia, within a building originally designed during the Soviet period by architect Nikoghayos Buniatyan. The client’s brief called for a comfort-food restaurant interior developed within a very limited budget and a tight timeframe.

In the bay of Zihuantanejo, atop a hill that slopes down to Playa la Madera, rises Carpinteros, a residential building inspired by the sails that traverse the coast and the craft of transformation. The project translates the relationship between wind, material, and landscape into architecture that dialogues with the sea, the supporting slope and its context.

A modern intervention within a timeless exoskeleton—where classical aspirations find voice through the lens of a minimalist practice. It is an encounter between eras, fusing the design sensibilities of two worlds: the permanence of antiquity and the precision of the present.

Architectural heritage is not only what a building was, but what it continues to become: a long process of building, rebuilding, and re-occupying over time. Where opportunities allow, this continuity produces a layered condition—one in which visitors can witness, experience, and feel the gradual shifting of a building’s fabric, materiality, spatial order, and patterns of use, and occasionally even participate in that transformation.