Md Al Amin Sohan 
Confronted with an irregular original site, SHISUO returned to the fundamental element of fashion display: the hanging rail. A “single continuous rail” is allowed to morph in response to the existing walls, columns, and rainwater pipes. It traces the walls, bends to evade columns, and rises to allow passage, absorbing the chaotic nature of the environment and transforming it into a dynamic vitality.
A long table can sit almost anywhere and still do the same work. It can stretch beneath a market canopy, run along a school dining hall, or occupy the center of a shared living room, and it immediately changes the room’s temperature.
A totemic presence in the landscape, the new Anthony Timberlands Center has opened in Fayetteville, Arkansas. Part of the Fay Jones School of Architecture and Design, the center is conceived as a model for mass timber and wood product construction. It was designed by Pritzker Prize-winning Grafton Architects, executed by local studio Modus, and illuminated by New York-based TM Light.
The CO House, located in Santo Domingo, Chile, was born out of the necessity of a couple looking to settle on the coast with a versatile and flexible home. The design aimed to balance the comfort for the daily use of two people with the ability to comfortably accommodate ten occupants during certain periods of the year, prioritizing functional flexibility.
If eyewear in the past was consumed primarily for vision correction, today it has come to be recognized as a small fashion item that expresses one’s identity, shifting the direction of the eyewear market as a whole. Following Suwon, the second location—STREAM EYEWEAR Unjeong—breaks away from the conventional image of an “optical shop,” redefines STREAM’s brand presence, and unfolds with a narrative unique to Unjeong.
We call the Lumen Residential Building the Corners Project because by manipulating and distorting the form in the corner of a building block and by using strategies such as filament, semi-transparency, and multi-layering, we could tame the intense light that exists in the main aspects of the building.
In Friedrichsruhe, where open farmland meets gently wooded hills, a country house has been built as a pair of connected homes. The layout and overall appearance of the buildings — including the main houses, garages, and boundary walls — take inspiration from a nearby historic farmstead. With very simple means, a strong sense of space and atmosphere was created. The main idea was to design a house that works on its own terms, without complex technical systems, without constant regulation, and without the need for ongoing adjustments.
Salone del Mobile.Milano has announced the framework for its 64th edition, scheduled to take place from April 21 to 26, 2026, at Fiera Milano, Rho. The upcoming edition will bring together more than 1,900 exhibitors from 32 countries across over 169,000 square meters of exhibition space, highlighting the fair’s continued scale and international reach. Beyond its quantitative dimension, the 2026 Salone positions itself as an evolving cultural and economic infrastructure, increasingly structured around long-term strategies rather than isolated events. The program reflects a growing emphasis on accessibility, curatorial depth, and cross-sector dialogue, pointing at the Salone’s role not only as a marketplace for the industry but also as a platform where architectural thinking, industrial production, and global dynamics intersect within a single, coordinated framework.
Folded Rooms Garden is an experimental residential intervention located within a compact urban pocket in Bandung, Indonesia. The project challenges the conventional reliance on vertical partition walls, proposing instead a fluid sequence of living environments seamlessly integrated with the landscape.
Selected as one of the winners of ArchDaily 2025 Next Practices Awards, NAAW represents a new generation of architectural studios reshaping contemporary practice in Central Asia. Founded in 2019 by Elvira Bakubayeva and Aisulu Uali, the studio operates at the intersection of research, interdisciplinary collaboration, and spatial experimentation, positioning architecture as a tool for reflection and an active agent in shaping contemporary Kazakhstani identity.